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Another overlay appeared. A blue marker—the kind you use to scrub through footage. It was moving. Scrubbing forward through his own timeline. The living room clip fast-forwarded. He watched himself stand up, grab his keys, and leave the apartment. Then the clip jumped. A new scene: a dark garage. The family’s old sedan, its hood up. A man’s silhouette leaned over the engine.

The cursor blinked on a black timeline. Empty. Just like the apartment around him. pinnacle studio ultimate 19.5

"Render this," Maya’s voice whispered, not from the speakers, but from inside his own head. "Export it. Before he finds out you know." Another overlay appeared