The change was subtle at first, like rust spreading under a car’s paint job. His grades, once a constellation of A’s, dimmed to C’s and then to incompletes. His guitar gathered dust in the corner of his room. The boy who used to walk his neighbor’s dog and hold the door for strangers began to slouch through hallways with his hood up, eyes fixed on the linoleum.
The tragedy of Liam is not that he became an addict. The tragedy is that he became a stranger to himself. He lost his name, his laughter, his dreams, his future. He lost the sound of his own voice telling a joke. He lost the ability to feel the sun on his face without needing something chemical to make it real. the boy who lost himself to drugs
His mother found him one Tuesday afternoon, not dead but not alive either: slumped in the bathtub, a needle still dangling from his arm like a grotesque insect. His skin was gray, his lips cracked, and his eyes—those bright, curious eyes that had once examined ladybugs on the windowsill—were vacant. They were the eyes of a stranger. The change was subtle at first, like rust
He dropped out of school three months before graduation. The scholarship to the state university, the one his teachers had cried over when they wrote their recommendations, was revoked. He stole his mother’s wedding ring from her jewelry box—not out of malice, but out of a cold, mechanical need that had replaced his soul. He pawned it for forty dollars. He shot it into his vein in a gas station bathroom. The boy who used to walk his neighbor’s
His name was Liam. Or at least, it used to be. Now, when people in town whisper about him—if they whisper about him at all—they just call him “that boy.” The one who used to have it all. The one who threw it away.